1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 RADIAL PRORMP RE-AMPING BOX

Part Number: 000128

RADIAL PRORMP RE-AMPING BOX - Part Number 000128
Radial ProRMP Play prerecorded tracks through amps and pedals Opens the door to creative new tones and textures Eliminates repetitive playing during recording On board level control for fine tuning the gain Transformer isolated to eliminate buzz and hum re-amping has been the 'secret weapon' for countless recordings by the biggest names in the business and the process is often used on guitars, bass, keyboards, percussion and even voice to create new textures! The Radial ProRMP is a 100% passive re-amplifier that lets you to take a pre-recorded track and re-amplify it through a guitar amp or effects pedals to create new and exciting tones. Plug and play easy to use, the ProRMP connects from the recorder to your amp and effects units and does all the impedance matching for you. Just adjust the level to suit! The magic behind the ProRMP's great tone is a custom wound transformer that at once converts the balanced low-z source to a hi-z input for your amp while also acting as an electrical isolator to eliminate troublesome ground loops that can often cause buzz and hum in the sound. Like all Radial products, the ProRMP is built tough! Encased in a 14 gauge steel, the ProRMP employs a unique book-end™ design with a welded I-beam frame that protects it from damage and assures the PC board and solder points will not be stressed, adding durability. A full-bottom no-slip pad works double duty by providing plenty of stay put while also eliminating electrical contact points from guitar amp chassis bolts that could cause ground loops. The Radial ProRMP - affordable professional re-amping for every studio! Radial ProRMP In Detail ProRMP Development re-amping is a process that involves taking a pre-recorded track and playing it back through a guitar amplifier and or series of effects pedals. re-amping began in the earliest days of recording and became famous when bands such as the Beatles and Steely Dan reported it being used on most tracks. Back then, only bands with budgets to afford multiple large multi-track tape recorders could afford to reamp. Today, with the proliferation of low cost digital recording, anyone can now afford to reamp as tracks are no longer limited. With a bit of practice and some creative ingenuity, great recordings can now be produced in almost any studio! re-amping presents several advantages during the recording process. By recording a dry track, and then playing it back until the right tone has been found, the guitarist no longer tires and the performance always sounds fresh. Furthermore, once the right guitar tone has been found, microphones can be moved at will until the sweet spot is found. The process also ensures that the same guitar sounds can be used even if the players change. This of course was part of the process used by various bands or record labels that wanted to retain the sound but improve the performance. A great trick to say the least! . ...more Features & Specifications Circuit type: Passive transformer isolated Input: XLR-F - 600 Ohms impedance Ground lift : XLR pin1 lift Output: ¼" jack - 50 kOhms impedance Frequency response: 20 z to 40 kHz Linear performance: +/- 0.12 dB 20 Hz to 20 kHz Construction: 14 gauge steel chassis and shell, baked enamel finish Size: 4.25"d x 2.75"w x 1.75"h (107 x 70 x 43mm) Weight: 1.1 lb (0.50 kg)
Play prerecorded tracks through amps and pedals! O 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985

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